Digest 14, originally sent Wed Jun 30 02:03:46 1999
There are 2 messages in this issue.
Topics in today's digest:
1. Dick Blick's catalogue.
From: "Art Glass" <art.glass@xxxxxx.xxxx
2. Wishlist #271 (Was: Large Image Output.)
From: "Art Glass" <art.glass@xxxxxx.xxxx
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Message: 1
Date: Tue, 29 Jun 1999 17:37:03 +0100
From: "Art Glass" <art.glass@xxxxxx.xxxx
Subject: Dick Blick's catalogue.
Far as I know, Dick Blick has outlets all over the US, they do all kind of
art supplies and equipment.
In fact I just did a search and here ya go Evie...
Contact Info for...
Company Dick Blick Art Materials
Listing ID 644
Web http://www.dickblick.com
Phone 800 447-8192
Fax 800 621-8293
Email info@dickblick.com
Mail Dick Blick Art Materials, P.O. Box 1267, Galesburg, IL 61402-1267 USA
HTH,
Paul
-----Original Message-----
snip>>>>>
<< There should also be something in the Dick Blick
catalogue, too. >>
I am not fimiliar with this catalog, could I have more info. please?
Evie
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Message: 2
Date: Tue, 29 Jun 1999 17:37:09 +0100
From: "Art Glass" <art.glass@xxxxxx.xxxx
Subject: Wishlist #271 (Was: Large Image Output.)
Thanks for your ideas Roderick,
I've put a similar question to various litho and screenprinters lists.
Most replies suggested looking around for a second-hand process camera, like
how so many litho & screenprinters now either have affordable access to an
imagesetter or their volume of work makes outsourcing to a service bureau
financially viable. So nowadays, they are throwing away their old kit like
a man with no arms.
I had to laugh when one of these guys told me about an ancient Klimsch
camera he'd bought for $200 -when he got it home and tried to set it up, he
discovered his front room wasn't big enough! But I digress...
A process camera puts another variable in the image chain, compounding any
defects as the process of making a stencil continues. The operator still
has to put the camera-ready art in front of the camera, to produce the image
on film, to *then* shoot the stencil.
It would be really neat to be able to have an affordable option of
outputting direct from the screen to film; 300 dpi would be quite sufficient
for line-art, 600 for half-tones would be even better.
Ah well, only 115 days till my birthday, who knows what I'll get?!
Bye for now,
just Paul
Original message follows:
snip>>>
Paul,
Unless you can afford to buy an image setter ($50,000 USD) you would
most likely need to go to someone who has one. Here at Rayzist we print
films 13.5" x 42" (343mm x 1067mm) for larger widths we out source to a
company that has a larger image setter. You will most likely find
companies in the phone book under the heading of "Desktop Publishing
and Service Bureaus." This type of service can get quite expensive.
> What I was wondering was, if you needed to output an image larger than
> say, A4 or Letter size, how would you do it? I can output a vector image
> to a plotter and cut the image in rubylith, but what would you do if the
> image was a 500mm x 500mm halftone?
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