• Why to Buy
  • Product Profile
  • Pricing
  • Instructions
  • FAQ's
  • Recommended Supplies

SR3000™ Overview

We call it Self-Stick film, but you might call it amazing. SR3000 is a repositionable, self-stick film that does not carry or require a stubborn, messy adhesive — that means no residue clean-up, no complicated handling issues, and no adhesive to apply or over-wash. There’s simply nothing else like it in the marketplace today. The film develops a slight tack after wash-out, but will never feel gummy or sticky.

SR3000 has industry-leading durability and resolution capabilities — you can trust it with half-tone images or ultra high resolution images, for deep etches or fine details, and on flat or curved surfaces. The 3 mil thickness is designed to push the envelope in high resolution designs; you can blast finely detailed images without the worry of pinhole blast-through. Use the 5 mil to achieve a deeper etch or multi-stage carving. You will be thrilled with the results.

Processed SR3000 clings steadfastly to any polished surface, providing an ideal system for creating fine quality engravings on glass, wood, stone, ceramic, granite, marble and soft metals.

The efficiency advantage

From exposing to blasting, SR3000 helps you get it done faster, more efficiently than ever before. It saves you money because it saves you time.

  • Manufacturer direct film support
  • Easy application/User friendly
  • No special lighting necessary
  • Versatile
  • Repositionable
  • Durable
  • Flexible for curved surface
  • Fast exposure
  • Quick washout
  • Excellent detail
  • Multistage carving
  • Cost effective

Here’s what our customers have to say about SR3000™ Self-Stick Film: “Production time is reduced so we make higher profits. We saved around 30% of our time when etching a run of 100 glasses.”

Description :

User friendly SR3000™ is a high-resolution photoresist with an inherent self sticking quality enabling etchers to achieve the finest detail and deepest etch in the sand blasting industry. SR3000™ will turn any black and white design into a sandcarving stencil. It provides an ideal system for creating fine quality engraving on endless varieties of glass, wood, stone, ceramic, granite, marble, and soft metals. From exposing to blasting, carvers are able to get it done faster and more efficiently then ever before.


SR3000 can be processed easily with a UV light source, film print and pressurized washout unit, such as a Rayzist Hand Washer or automatic washout unit. A Plastic Burnisher is necessary to bind the processed photomask to the substrate surface and remove the photomask’s clear carrier. The Rayzist Wire Wheel Brush is also strongly recommended; this hand-held tool releases air trapped between the substrate and the photomask.

Room Lighting:

You do not need a darkroom or yellow lighting to use SR3000. The film can be safely handled in white fluorescent lighting for approximately ten minutes. Avoid any room or area that has direct or indirect UV light such open windows or doors. Sunlight will expose the film in a matter of seconds.


SR3000™ comes in 3,4 & 5 mil thicknesses.

3 mil is recommended for fine detailed artwork and halftoned photos.

4 mil is recommended for moderate detailed artwork and a moderate depth etch.

5 mil is recommended for bold artwork, moderate to deep stage carving.

Shelf Life:

Conservatively, 14 months at room temperature.


Standard washout times begin at 45-60 seconds, depending on the mil.

Exposure Time:

20 seconds


SR3000™ has unmatched blast resilient properties superior to any photoresist in the industry. Blast high resolution designs without the worry of pin hole blast through.

High Productivity:

SR3000™ eliminate

Material Chosen and Why:

SR3000™ photoresist film satisfies all needs for a self-stick film without the problems "self-adhesive" brands can bring. SR3000™ renders unmatched detail for half-tone imaging and ultra high resolution images. SR3000™ saves time and money by enabling you to produce a superior product with less hassle.

SR3000™ Self-Stick Film - 8.5" x 14" Sheets

All Pricing is Subject to Change Without Notice


3 mil
4 mil
5 mil

5 Sheets




595 sq in




10 sheets




1190 sq in




25 Sheets




2975 sq in




SR3000™ Self-Stick Film - Rolls

All Pricing is Subject to Change Without Notice


3 mil
4 mil
5 mil

25' x 14"




4200 sq in




50' x 14"




8400 sq in




100' x 14"




16800 sq in




What side of the glass is normally etched, front or back?

Etching on glass always has the best appearance when etching from the back side, unless the etching is very light or surface depth, then the front side would show best, this would be particularly true for Jade glass.

What is the best way to sandcarve on wood handles?

I have no direct information on wood handles with out seeing the pieces. If your handles have a curve to them, you can warm the mask, this will enhance the materials ply-ability for wrapping around the curves. Keep in mind, that softer woods such as pine are easiest to engrave however, make sure of the following:

1. Avoid overheating the mask.

2. Make sure the mask is flat and tight on the surface of the piece.

3. Keep your blasting pressure low to moderate. Do not blast with great intensity; this can lead to a stubborn residue that is left behind.

4. After blasting, Peel away the mask quickly; do not allow the mask to sit on the piece for any longer than it has too. This will also help prevent any left over residue.

How do you wrap the laser mask on a round or curved surface?

Applying a flat mask to a rounded surface will naturally create some wrinkles.

What I typically do with curvature items is:

  • Separate the plastic backing from your LaserMask material you are going to use, this will eliminate the non-flexible component and give you a little more flexiblity to work with.
  • Apply the flexible LaserMask to your substrate.
  •  With your thumbs work out any wrinkles.

Why is the photoresist film not washing out at all?

This can happen to anyone; here are some things to check:

  • You may have placed the clear carrier side facing up on your washout board, or on the drum of your automatic washout system. To correct this, simply remove the magnets and turn the photoresist over. Make sure the clear, shiny carrier is lying against the washout board or washout drum, and try it again.
  • You are washing your film in direct sunlight or outside. Because the film is light sensitive, you can’t wash it in direct sunlight. This will expose over the existing exposure you have completed.
  • You may have exposed the ink/toner side of your film print to the wrong side of the photoresist. If you have done this, you must use a new sheet of photoresist material. Be sure you are exposing the ink/toner side of your film print to the matte side of photoresist.


How long does it take the photoresist to washout?

This will depend on the sheet size, thickness of the material and the temperature and pressure of your water. All these answers combined are crucial to producing a perfect photomask everytime.

What is a photomask?

Photomask: a stencil made of photoresist film that has undergone a developing process. The stencil design is typically created from custom, computer-generated artwork, which may include lettering, photo images and/or a design pattern. The finished photomask is used to guide the sandcarving process, so that the custom artwork is etched or engraved into the surface being carved.

--- Photomask may also be called mask, stencil, premade pattern or template. ---


What is a Membrane?

Membrane: a clear, exceptionally thin layer present on some types of photoresist films. The membrane allows for easy release of the film carrier and, once the film has been developed, holds the photomask together. The membrane disintegrates during the sandcarving process.

What is Photoresist Film?

Photoresist Film: a translucent, durable, flexible, light responsive, water soluble, raw film that has not gone through a developing process.

---- Photoresist film is used to create a finished photomask. Photoresist film may also be called raw material or film. ---

How do I remove the photomask after sandcarving?

This will depend on two things: the material of your engraved surface and how that engraved surface can be treated.

1. For best results, submerge the piece in warm water and let it soak for several minutes. Because the photomask is water-soluble, it will absorb the water and cause the photomask to loosen from the engraved surface. Warm water also helps remove the dust and grit from the surface, which  helps prevent scratching.

If the item you have engraved cannot be submerged under water, as in the case of a picture frame or a labeled wine bottle, try the following:

  • Blow off any excess dust or grit from the item.
  • Spray the remaining photomask with warm water and allow the item to sit for several minutes.
  • Peel away the photomask from the surface.

2. You can also try lifting off the remaining photomask material with tacky tape. This way, you avoid rubbing the surface, which can scratch wood, acrylic, polished or coated metals.



Recommended Supplies SR3000™

Rayzist offers a full line of products designed to optimize the performance of your SR2000 or SR3000 photoresist films. The recommended supplies for use with these films are shown below.

For added convenience, we have bundled all of these products (except the optional film dryer) into the Rayzist UV Letralite® Mask Making Kit.

  1. UV Letralite Unit: an ultra violet light source used to expose printed film to SR2000 or SR3000 Photoresist.
  2. UV Vellum, Inkjet Film or Laser Film: the material onto which the custom artwork is printed in the process of making a photomask.
  3. Plastic burnisher: a hand-held, plastic tool used to bind the photomask to the substrate surface and remove the clear carrier sheet from photomask. To use, sweep the burnisher over the applied photomask while applying gentle pressure.
  4. Blasting tape: a ribbed vinyl tape that is used to protect areas of the substrate that are not covered by the photomask. A quality blasting tape is easy to tear, very durable, and peels away from the substrate without leaving a sticky or gummy residue behind.
  5. Hand sprayer: a high pressure, hand-held spray unit that easily connects to any standard faucet. Designed specifically for washing out exposed photoresist, the Rayzist hand sprayer delivers pressure of 45-55 psi and produces a 4-inch-wide fan of water for an even washout. The hand sprayer comes with a wash nozzle, hose and faucet adapter. Use with the Rayzist magnetic white Washout board for best results.
  6. Washout board: a white, magnetic board used for washing out exposed photoresist. To use, place the exposed photoresist against the washout board and apply the appropriate water pressure; the white color of the board allows you to see your washout results immediately. The washout board is 12 inches by 15 inches in size.
  7. Cover paper: a paper material that protects processed photomask from gathering debris or dust particles prior to sandcarving. Cover paper is applied by placing the shiny side of the paper against a photomask that has been washed out and dried. The photomask can then be stored at room temperature until you are ready to use it.
  8. Wire wheel brush: a hand-held brush tool used to release air trapped between the photomask membrane and the substrate surface. The brush is equipped with a handle for ease-of-use and hairline bristle wire for gentle perforation of the photomask membrane. It is used after the photomask is burnished to the substrate surface.
  9. Premier™ film dryer (optional): a cabinet-top unit that dries up to four sheets of photoresist film in as fast as 10 minutes. The Premier film dryer works by distributing heated air around the film sheets; this is an efficient alternative to air-drying processed photoresist film.
  10. 1020, 1232, or 1650 Automatic Washout System (optional): Process your photoresist film faster. This system enhances your productivity by streamlining the washout process.
Call 800-729-9478 and place your order!
Call 800-729-9478 and place your order!